About Rosie Stanton is some-sort-of artist. She is well trained with a Bachelor of Arts n’ Farts from the VCA class of 2021 and well practiced with a slow and steady studio practice of almost pre-teen age maturity.  
She will flip flop (by frustration or for fun) between material visual and the spoken written. With loose allegiance to final form, she nurtures ideas through permutations of possible and impossible expressions.

Rosie’s guiding ghosts are elusive though persistently present: whimsy and resonance, sentimentality and spirit sensitivity, playful absurdity, and mysterious familiarity.

Rosie loves to host workshops, exhibit paintings, perform poetry, write creative essays, and sit a market stall.
But.
Honestly and truly, Rosie’s passion is for serious play and she will fiercely protect her and your God-given privilege to chase the tail of your own curiosity and imagine a happier day.


Solo Exhibitions

2025 Birds of Blessing, Crossway LifeCare, Burwood. Vic.

2025 DIY REDEMPTION, Changing Room Gallery, Carlton. VIC. 

2022 Are the lights on in the Bevatron?, Temporalities gallery, North Melbourne, VIC.


Select Group Exhibitions


2026 Somewhere, Elsewhere, Here, Now, Platform Presents at Abbortsford Convent, VIC.

2024 SKETCHBOOK, Changing Room Gallery, Carlton. VIC.

2023 Disobedient Accumulations, Collaborative interventions with Lilly Skipper at Platform Arts, Geelong. VIC.

2022 Leapt Conclusions, Dudley House, Bendigo, VIC.

2022 Do My Feet Still Touch The Ground?, Collaborative project with students of Tokyo University of the Arts with Dual exhibition, VCA Artspace, Southbank, VIC and TUA Geidai, Tokyo, Japan.

2022 Easter Art Show, St Jude’s Anglican Church, Carlton, VIC.

2021 VCA Graduate Exhibition, VCA UniMelb, Southbank, VIC.

2021 Responding to Symphony 3.21, VCA Artspace, Southbank, VIC.

2020 2nd Year Drawing and Printmaking show, VCA Artspace instagram, online, @vcaartspace. 

2020 Mailbox Memorial, To whom it may concern, 1 show at 16 locations including Niche Fetishe, Melbourne, VIC

2019 1000 Finches project coordinated by Charlotte Watson, Tinning St Presents, Brunswick, VIC


Projects

In search of Truth

Postal project 2020

Draw Near: Drawing as a Spiritual Practice.


Residency
11/2025 Farm Studio, Rural Rajasthan, India. 

4/2024 International Artist’s and Writer’s Residency, Chateau d’Orquevaux, France.


Writings

Mark

Somewhere, Elsewhere, Now, Here



The Sky Tunnel is cosmically playful. It considers the space crossed instantly from one’s bedroom in private prayer, through the skies to infinite comfort.
It renders the invisible pathway from the physical here, to the spiritual there.

It considers the gap and its tentative bridge that is felt in the intimate act of prayer. A bridge that is nurtured and spoken of silently in the deepest personal ‘home’ (that is the heart). Rosie looks outward with closed eyes (open mind’s eye) towards the cosmic beyond and divine paradise.


The Sky Tunnel emerged from Rosie’s own contemplative prayer. A persistent image of a spiral stretched. At once with and without direction.
Rosie nurtured this shape in secrecy.
Fed by reading about theosophy, phenomenology, planetary orbit, atomic valency, photosynthesis, Maghreb and Ishraq prayer, Jacob’s Ladder, the cloud of witnesses, Hilma af Klint, J. M. W. Turner, Donnie Darko, Joni Mitchell, Henry Thoreau, Icarus, Pope Francis, and Jesus Christ.

Formed under technical guidance from the sky itself. Rosie paints in dusk, dawn, moonlight, and sunlight, layering light upon light.


The ultimate cosmic contemplations, considered, wrestled with, blessed, and released, in the holiness of heart and home and in the secrecy of sacred studio.





Exhibited as part of Platform Presents’ Winter show at Abbortsford Convent. June 2026.